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Things many eyes have seen

Yannick Mosimann Switzerland, Mystery, Essay, English, 00:25:00

A flickering diary of time, memory, and erosion, «Things Many Eyes Have Seen» unfolds over a month on an island. Hand-processed in salty seawater, its 16mm images dissolve and transform. The landscape flashes by in broken frames of light and shadow, as if the world itself was stuttering between memory and motion. A meditation on seeing and being seen, the film lingers like a fading dream, where observer and landscape blur into one.

Things many eyes have seen
  • Language English
  • Country Switzerland
  • Genre Mystery, Essay
  • Producer Yannick Mosimann
  • Year of creation 2025
  • Duration 00:25:00
Yannick Mosimann
Director Yannick Mosimann

Yannick Mosimann is an experimental filmmaker, sound artist, and photographer from Bern, Switzerland. He studied at the University of Applied Sciences and Arts in Lucerne, where he completed his BA degree with the short film "How I Disappeared." The film has been screened at various film festivals worldwide. Mosimann further pursued his education by studying MA Contemporary Arts Practice at the Hochschule der Künste in Bern. Mosimann's body of work encompasses films, video/audio installations and collaborative projects with diverse artists as a filmmaker and musician. His artistic focus lies in intuitive processes, sensorial experiences, and the reimagining of narratives. Themes explored in his work include the anthropocene, nature, cosmology, darkness, and human perception. In early 2022, Mosimann released his first feature-length film titled "I Have Not Been Afraid of Going Blind for a Long Time." The film received widespread acclaim and was showcased at national and international film festivals as well as art spaces. Mosimann’s feature-length documentary, Normal Love, had its world premiere in summer 2023 at the Zurich Film Festival. Following this success, it celebrated its international premiere at the Ji.hlava International Documentary Film Festival, where it garnered significant interest from critics and festival-goers alike.