In the midst of an existential crisis, Y. ostracizes himself to live the rest of his days in solitude, locked in an underground bunker with a system designed to euthanize him at a random time. Both dead and alive, his fragile peace is shattered by a series of apparitions - symbols of the very things that make us human in the first place.
A young filmmaker, Eva, juggles life and her first film in development - narrated by her own fictional lead - in this witty and affecting portrait.
The young Sasha tries to make her mark in a summer camp where challenges and dance shape daily life, while Steak, a passionate counselor and dancer, faces his own insecurities. A life-changing evening will force them to grow faster than they ever imagined.
Ángeles Blanco is a lawyer who works for an organization assisting people with cerebral palsy. One day, she receives a text on her phone: SOS. Nothing else. Ángeles answers promptly, trying to gather more information, but there is no answer. After a few days of radio silence, another text arrives: again, SOS, followed by a crying emoji. Ángeles knows someone needs her on the other end. In order to help, she will have to find a way to get through to her.
Charcoal animation reveals the fear of home through the eyes of a little boy who has to be constantly on alert and ready to escape.
“Bicycle Face” is a film essay that reflects on the relationship between women and bicycles from a contemporary perspective. Fragments of films, archival images, texts, fictional scenes, and bicycle sounds form this audiovisual collage, which aims to be a tribute to women's freedom, their capacity for struggle, and resistance. The starting point is a historical event that takes us back to the late 19th century when women began riding bicycles. It was then that a made-up disease was diagnosed with the goal of dissuading women from riding bicycles.
