ANIMATION / THIS IS FINE.

Three old men. Two dreams. One bomb.

Noticing her husband Ivar's new scent, Anne lies awake at night with a nagging question: should she leave him?

Anton observes. Alone. A phosphorescent glow flickers through the streets. Anton sees a bee dying, then another. No one sees a thing, not even Kata, over there on the roof. Kata and his gang are running, laughing, spray-painting. Anton watches them, especially her. He dreams of joining them.

Sulina, 1910. It is the inauguration of the first electric power station in this Romanian port city. In the jubilation of a modern and cosmopolitan crowd, Ilarion, a prestidigitator from another time, tries to play his last card.

Monetizing disinformation has never been easier. With just an email address, anyone can create a subdomain of a mushroom website and start earning by flooding social media with its content. Disguised as real news platforms, these sites recycle clickbait headlines that push political agendas, blur facts, and exploit public fears. They scale rapidly, vanish without a trace, and stay alive between campaigns thanks to built-in ad systems. AI-powered and prompt-driven—but always with a human touch—their misleading, sensational content slips past algorithmic filters and flourishes across digital platforms. It’s the perfect soil to spray and pray.