Anton observes. Alone. A phosphorescent glow flickers through the streets. Anton sees a bee dying, then another. No one sees a thing, not even Kata, over there on the roof. Kata and his gang are running, laughing, spray-painting. Anton watches them, especially her. He dreams of joining them.
A man searches for his war-traumatised and paranoid brother in the depths of an underground factory.
Through the opening between reality and subtle poetic forms, surreal scenes and thrilling paradoxes reveal endless loops of existence.
Sometimes you just need to change the angle of view to see the glittering magic of your fantasy.
On the eve of an important synchronized swimming competition, Mathilde is drowning in glitter and pressure. She must choose between shining for others or blossoming for herself.
The film was shot around the place of O Fieiro, a small village of no more than twelve houses and nine inhabitants, among them Rosa. A ninety-year-old woman who dedicates her last years to watching the rain through the window. Her father was a canteiro, a house builder, before the reservoir changed everything. Rosa remembers how her father lifted the stones and the people transported them from one place to another. It is shown as an abstract visual poem where the rain and the stones are the protagonists of the story Rosa tells us.
