In the grey, rainy city lives a monkey, trapped in the hell of procrastination. Every attempt at creative work ends in an escape into his own imagination, into a world full of colors and adventures, and every return to reality is increasingly overwhelming and gray. The monkey must face itself in order to find a space to live between worlds.
Exploration in the unconscious where everything is connected, nothing is determined and the emphasis is on the ever-changing. In a naturally altered state of consciousness, the boundaries of time and space dissolve. Sounds become visible, forms audible. Deeper focus offers more: connections of tones and undertones linked to visible forms and their mirrored reflections – periodically interacting with each other.
A BOY (Black and White Drawing)is in love with A GIRL (Cardboard Cut Out Puppet), he is too shy and anxious, which makes him too incapable to express his feelings for her. THE GIRL tries to get closer to him, but after he doesn’t react to her approaches, she decides to stop trying. When she leaves, she drops a little cardboard spider, which THE BOY takes home. The Spider starts to absorb the BOY’s energy and feeds on his complex and insecurities, growing bigger and monstrous. The BOY’s reality starts to mix up with his dreams and nightmares, he gets obsessed with THE GIRL and starts waiting for the GIRL to come back, while the toxic spider continuous to spin its web over his overthinking head.
Struggling with alcohol addiction and mental illness, an artist reaches out to an old friend. "Superb" — Julian Waite "Brilliant" — John Robins "Magnificent" — Stephen Fry
As her island home is abandoned to the sea, Rebecca refuses to evacuate, certain her missing son Fergus is still alive. Haunted by grief and convinced an ancient power stole him in revenge for her husband Callum’s sins, Rebecca descends into obsession. When Callum abandons the island to save himself, Rebecca turns to a forgotten shrine and offers him as a sacrifice in exchange for Fergus’s return. By dawn, Callum lies dead upon the shore, while the mysterious Mither emerges from the mist beside a strangely older Fergus. Reunited at last, mother and son escape the cursed island together.
In 'Beyond the Facade', Eyup Kuş presents an experimental film in which his atmospheric music combines with visual elements to create a sensory journey that blurs the boundaries between sight and sound. A poignant commentary on the climate crisis reflects the fleeting nature of human experience and symbolically melts like the glaciers of the Alps.
